:::     音楽     :::
TEN ROLE PLAYS
(4th world/electronic/
ambient/jazz)
Japan Relief Charity Concert
2011
(ambient / jazz/4th world)
Paul Mahoux - guitar: chords,
melodies percussion and noise.
feat .Hyoue "Gane" Takagane -
ambient bass backgroun
d
all realtime improvisation.    no looping nor prerecorded material
SIL3X - 2011 XilsLabs CONTEST
(ambient /electronic/4th world)
XilsLabs is the developer of some of the most analog
sounding soft synthesizers.
track made with only the Xils 3 modular synthesizer.
<-----Audio from the video
ALBUMS
Copyright © Paul Mahoux
Copyright © Paul Mahoux
Copyright © Paul Mahoux
Copyright © Paul Mahoux
テンロールプレイズ「10の役割」

2000-2007年の時に蓄積されて,文体の単一性がないためにアルバムに入れなかったト
ラックが色々の役割のように折衷的にリリースされたアルバムです。
ギターのambient live looping の即興(2と10)から,
electronica(1、3、7)やhouse(9を)まで及んだトラックで、
それらのほとんどすべては私のギターの音や極度に処理され認識不可能なfield
recording (録音)を含んでいます。
「10 Roleplays」は私がギターへの私の愛とコンピューターへの私の愛の間に常に振
れる統合失調症の方に、いくつかのスタイルの10の役割に似ています

YONAGUNI JIMA
(ambient/world)
This is a series of three songs i made with the voice of a very old grandma from
Yonaguni Island.  A friend went there to record his grandmother singing some
traditional songs from the island and he gave me the recordings. Good intuition
actually, because she passed away by the time i had finished the third song. And i
don't even know her name, nor her face... just this harsh, salty voice. On purpose, i
did not try to make her timbre more sweet sounding and i was very tempted to
include some very funny moments between the songs when she coughs like a truck
driver or gets a bit upset because her grand son continually asks her to stop moving
some papers in front of the microphone when she sings. To stay true to this absolutely
authentic harsh voice, i had to limit myself to a few elements to avoid sounding like a
sometimes too civilized deodorant spray called "world music", and stay true to the
Ryukyu traditional spirit.
No guitar at all in those tracks.
友達の与那国島のお祖母の声で琉球のスピリッ
トに合うアンビエント音楽を作り、ギターが
全然入っていません
Copyright © Paul Mahoux
TOXIC WOOD DOLLS
jazz-house/funky tech-house
Copyright © Paul Mahoux
私のギターととても短い声のサンプルを元するミニマルテックハウス。
Soul/Funk, または, Jazz / Ambient の味付け。
Between minimal with soul, funk and atmosphere and something else...
Based on my processed jazz guitar and small vocal clips ...
VARIOUS TRACKS
MIRROR ROOM SESSION
A pure guitar live looping
improvisation (43mn) from
2005, with no other
instruments whatsoever.
Very live... and hence very
unperfect, as it happens often
with improvisation.
The best moments are too
short and the long moments are
not the best, but all in all,
LUANG PHRABANG
A sound poem made in an
old style radiophonic way,

with various field recording
with no relation to each other,
and some haunting gibbon sample
repeating endlessly and variating
subtlely. Sweaty erotic
sunset in Laos, where i have
unfortunately even never been...
Pure postcard from 1995..
MIRAGE
What happens when you just
fool around leisurely with
your instrument
( i mean
guitar, of course ...)
and you forget that a D.A.T
tape recorder is running silently
in the back of the room,
recording everything for hours.
Just guitar and a bottleneck,
some t.h.c. support, and a
totally free mind, for a little ambient guitar piece from 1997 with that typical "my heart
flies like an eagle in the sky" kind of feeling...
LOOPING LOOPONG LOOPANG
My first "official" live looping
attempt on guitar.
1998, in New York, where i
was about to live for three years.
The title sounds kind of
ridiculous now, but i thought it
was damn cool at that time,
being blown away by live looping,
using nothing but two ping pong
delays, one short, one long.
And a ring modulator effect for that typical bell like sound that fits so well to guitar.
Dynamics and sound quality in general are so so, but i still do love some moments of it.
Copyright © Paul Mahoux
Copyright © Paul Mahoux
Copyright © Paul Mahoux
Copyright © Paul Mahoux
COLOUR BEADS SESSION
(dub/house/electro)
「 カラー ビーズ セッション 」

66分間ノンストップの
progressive dub house musicです。
シンセサイザーより私のギターのサンプルをたくさん使いました。
Eight tracks of original audio clips, many of them being my own guitar, looping
together and controlled in real time into a seamless one hour mix.

Contains one sample from Hassan Hakmoum and one from the Bee Gees.
oliuyhiuyghouiyg
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